TRACY McCABE
Phone: 847-735-5234
Email: mccabe@lakeforest.edu

 

  

  

Vita

Who I am,
what I do

Main Page

Education

University of Wisconsin-Madison, Ph.D., English, 1994
Minor in Afro-American Studies and Women's Studies

University of Wisconsin-Madison, M.A., English, 1988

Princeton University, A.B. with high honors, English, 1985

 

 

Teaching and Administrative Positions

Director, Lake Forest College Writing and Thinking Workshop, Fall 1999-present.

Lecturer, Lake Forest College, 1998-present.

Assistant Professor, Dept. of Writing, Literature, and Publishing, Emerson College, 1996-1998

Lecturer and Teaching Assistant, University of Wisconsin-Madison, in English, Women's Studies, and Afro-American Studies, 1990-95

 

 

Dissertation  

"Resisting Primitivism: Race, Gender, and Power in Modernism and the Harlem Renaissance," directed by Susan Stanford Friedman

 

 

Scholarly Articles and Book Reviews

 

 

 

"The Multifaceted Politics of Primitivism in Harlem Renaissance Writing." Soundings: An Interdisciplinary Journal 80.4 (Winter 1997): 401-23. Special Harlem Renaissance issue.

Rev. of What Else But Love?: The Ordeal of Race in Faulkner and Morrison, by Philip M. Weinstein. MELUS (journal of the Society for the Study of Multi-Ethnic Literature of the United States) 24.2 (Summer 1999): 192-4.

With Nellie McKay. "African American Prose Writers." Women's Studies Encyclopedia. Rev. and exp. Helen Tierney. Westport, CT: Greenwood Press, 1999. 49-52.

"Yearning: Race, Gender, and Cultural Politics (1990): Essay collection by Bell Hooks." Entry in The African American Encyclopedia, Supplement. New York: Marshall Cavendish, 1996.

"Avenging Angel: Tragedy and Womanhood in Julia Ward Howe's The World's Own." Legacy: A Journal of American Women Writers 12.2 (1995): 23-36.

"Teaching in the Promised Land: Ideals and Limits in Feminist Pedagogy." Rev. of Teaching to Transgress, by Bell Hooks, and The Feminist Classroom, by Frances A. Maher and Mary Kay Thompson Tetreault. Feminist Collections: A Quarterly of Women's Studies Resources 17.1 (Fall 1995): 5-7.

 

 

Other Publications

.Chaos and Composition.. Amoskeag 23.1 (Spring 2006): 7-9.

"Confessions of a Scrounging Scholar." Chronicle of Higher Education, May 18, 2001:B5.

Rev. of Crossing: A Memoir, by Deirdre McCloskey. World: The Journal of the Unitarian Universalist Association. 14.4 (July/August 2000): 44-5.

"Stranger in a Strange Land: Teaching Literature in a Creative Writing Program." Beacon Street Review. (Spring 2000): 55-59.

"In Her Own Voice: Feminist and Unitarian Themes in Two Recent Historical Novels." World: The Journal of the Unitarian Universalist Association. 14.3 (May/June 2000): 28-33.

 

 

Academic Conference Papers

"Jamaica Kincaid.s The Autobiography of My Mother and the Limits of Feminist Criticism." Midwestern Conference on Film, Language, and Literature. University of Northern Illinois. DeKalb, IL, March 1999.

"Directions in Multicultural Modernist Studies: Scenes of `Facing' in Künstlerromane by H.D. and Nella Larsen." Twentieth-Century Literature Conference. University of Louisville. Louisville, KY, February, 1996.

"Multicultural Modernism and the Resistance of Primitivism: The Case of Home to Harlem." Harvard University. Cambridge, MA, January, 1996.

"Resisting Primitivism: Race, Gender, and Power in Modernism and the Harlem Renaissance." Modern Language Association. Chicago, December, 1995.

"Reconstructive and Deconstructive Impulses in Feminist Thought: Female Identity in Audre Lorde's Zami: A New Spelling of My Name." Virginia Polytechnic Institute and State University. Blacksburg, VA, May, 1995.

"Africa, Maternity, and Primitivist Discourse." Midwest Modern Language Association. Chicago, Novenber, 1994.

"Whose Laugh Is It Anyway?: Race, Gender, and Primitivism in Sherwood Anderson's Dark Laughter." Midwest Modern Language Association. Chicago, November, 1994.

Invited Speaker. "Avenging Angel: Feminist Readings of Julia Ward Howe's The World's Own." Dramaturgy Colloquium, School of Theatre, Florida State University. Tallahassee, October, 1994.

"Avenging Angel: Tragedy, Womanhood, and Representation in Julia Ward Howe's The World's Own." Midwest Modern Language Association. Minneapolis, MN, November, 1993.

"Negotiating Ideologies in the Oppositional Primitivism of Claude McKay's Home to Harlem." Twentieth-Century Literature Conference. University of Louisville, Louisville, KY, February, 1993.

"`Thimble of Everything': Experimental Lesbian Aesthetics in a Steinian Poem-Portrait." Midwest Modern Language Association. Chicago, November, 1991.

"Postmodernism and Feminism in Gabrielle Burton's Heartbreak Hotel." University of Wisconsin-System Women's Studies Conference. Whitewater, WI, October, 1990.

"`Give Virgin Lips to Cornfield Concubines': Voiceless Women and Virgin Artists in Part One of Jean Toomer's Cane." Midwest Feminist Graduate Students' Conference. Madison, WI, February, 1990.

 

 

Other Academic Presentations and Related Work

Panel chair. "The Politics of Racial Identity." Conference on "The Future of the Harlem Renaissance." Knoxville, Tennessee, March 1997.

Co-facilitator. "Intersections of Collaborative Teaching and Learning: A Workshop." College English Association. New Orleans, April, 1996.

Invited Speaker. "The Intersection of Race and Gender in the Curriculum." Symposium on Curricular, Pedagogical and Research Issues in Racial/Ethnic Studies. University of Wisconsin-System Institute on Race and Ethnicity. Madison, April, 1995.

Co-presenter. "Feminist Negotiations of Institutional Space: A Dissertation Group in Theory and Practice." Florida Women's Studies Conference. Tallahassee, October, 1994.

 

 

Performances

Choreographer, dancer, writer. "Visions of Darkness," a service at the North Shore Unitarian Church. Deerfield, IL, March, 2001.

Choreographer, dancer, writer. "Faith of Our Mothers," a service in recognition of women's history month, North Shore Unitarian Church. Deerfield, IL, March, 2001.

Choreographer, dancer, writer. "Creativity: Some Way of Prayer," a service at the North Shore Unitarian Church. Deerfield, IL, August, 2000.

Choreographer and dancer. "How to Love This World," a service at the North Shore Unitarian Church. Deerfield, IL, August, 1999. Rpt. at UU Women's Conference, Lake Geneva, WI, November, 1999.

Dancer for numerous performances with Synergy!, a professional jazz dance company. Madison, WI, 1987-94.

 

 

Academic Honors

 

University League Award for Excellence in the Humanities, awarded by the University of Wisconsin-Madison Women's Studies Program, 1994

Jacob Javits Fellowship in the Humanities, formerly National Graduate Fellowship, from U.S. Dept. of Education, 1991-1992, 1987-1990

University of Wisconsin-Madison Prize Fellowship, awarded to ten incoming students in the Humanities, declined, 1987

Sacks Award for best senior thesis in American Literature, Princeton University. Thesis title: "`Masked Woman's Song': The Constrained Art of Louise Bogan," directed by Elaine Showalter, 1985

Phi Beta Kappa, Princeton University, 1985